@article{oai:shotoku.repo.nii.ac.jp:00001702,
 author = {安田, 香 and Yasuda, Kyo},
 journal = {聖徳学園岐阜教育大学紀要, Bulletin of Gifu College of Education},
 month = {Feb},
 note = {Debussy's "La chevelure" is the second song of "Trois Chansons de Bilitis" which were printed in 1899. Pierre Louys, the author of the text, was very much close to the composer. Debussy composed "La chevelure" in 1897 in advance of two other songs. This article will try to explain why "La chevelure" is composed in the manner of the later romanticism. First we analyze the tendency of the song to the chromatic harmonization and then discuss on the Debussy's idea of 'haer (chevelure)' referring to "Pelleas et Melisande." We dare say "La chevelure" exceptionally reflects Debussy's real life, and this is the reason why the song shows the conservative style.},
 pages = {29--47},
 title = {ドビュッシーの歌曲「髪」の特質について},
 volume = {35},
 year = {1998},
 yomi = {ヤスダ, キョウ}
}