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ドビュッシーの歌曲「髪」の特質について
https://shotoku.repo.nii.ac.jp/records/1702
https://shotoku.repo.nii.ac.jp/records/1702cfb31dcd-c27e-47c7-8cc9-8d71dd1e692c
名前 / ファイル | ライセンス | アクション |
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KJ00000110387.pdf (1.3 MB)
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Item type | [ELS]紀要論文 / Departmental Bulletin Paper(1) | |||||
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公開日 | 2017-03-17 | |||||
タイトル | ||||||
タイトル | ドビュッシーの歌曲「髪」の特質について | |||||
タイトル | ||||||
タイトル | A study on the character of Debussy's song "La Chevelure" | |||||
言語 | ||||||
言語 | jpn | |||||
キーワード | ||||||
主題 | Debussy, Louys, "La chevelure", "Pelleas et Melisande", hair, chromatic harmonization | |||||
資源タイプ | ||||||
著者 |
安田, 香
× 安田, 香× Yasuda, Kyo |
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抄録(英) | ||||||
内容記述 | Debussy's "La chevelure" is the second song of "Trois Chansons de Bilitis" which were printed in 1899. Pierre Louys, the author of the text, was very much close to the composer. Debussy composed "La chevelure" in 1897 in advance of two other songs. This article will try to explain why "La chevelure" is composed in the manner of the later romanticism. First we analyze the tendency of the song to the chromatic harmonization and then discuss on the Debussy's idea of 'haer (chevelure)' referring to "Pelleas et Melisande." We dare say "La chevelure" exceptionally reflects Debussy's real life, and this is the reason why the song shows the conservative style. | |||||
書誌情報 |
聖徳学園岐阜教育大学紀要 en : Bulletin of Gifu College of Education 巻 35, p. 29-47, 発行日 1998-02-28 |
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雑誌書誌ID | ||||||
収録物識別子 | AN0011586X | |||||
ISSN | ||||||
収録物識別子 | 09160175 |